the ring shows the part of the picture under it as a vectorscope.
goes to the next frame.
opens the whole frame, then lands on another film of that colour.
offset, pull and saturation push the picture around, like on the panel. reset puts it back.
compare
drag along the film. the picture and its scopes follow. where there is a play button, the scopes run live.
Houmam Abdallah returns to Electric Theatre Collective with a career spanning 15 years across London, Los Angeles, and now New York. A former director who reveled in experimenting to push quality and find ways to take the image further in color alone, he brings a filmmaker’s sensitivity to the suite. This perspective is backed by a deep technical foundation in VFX integration established at industry-leading houses, enabling a precise creative shorthand when bridging the gap between live-action and complex effects.
His craft has been recognized globally, having contributed to a Sundance-winning feature and receiving a Best Color Grading in a Music Video award. Houmam has also been a key contributor to projects earning multiple Gold Cannes Lions, with personal nominations across UKMVA, AICE, and Camerimage. Houmam navigates the balance between brand integrity and cinematic atmosphere for a premier client list including Louis Vuitton, Gucci, Versace, McLaren, VW, Adidas and Nike. Across every project, he treats color as a vital design layer: intentional, experimental, and consistently elevated to a new level.